Bowler Hats and Bad Takes - Witch Way to Read a Market
- Dawud Mustifa

- Mar 2
- 3 min read

La Paz does not really do gentle introductions.
It arrives all at once. Altitude in the lungs. Minibuses barking routes. Women in bowler hats moving with the kind of balance and speed that makes everyone else look theatrical. And tucked into the city’s steep, crowded arteries is one of its most photographed and most misunderstood places: the Witches’ Market.
The Witches’ Market is a good example of a place vulnerable to lazy reporting. It is one of the city’s most photographed spots, and one of the easiest to get wrong. The usual mistake is simple: people treat it as a curiosity first, and a market second.
The name does not help. “Witches’ Market” is brilliant marketing. It gives tour guides a headline and editors something clickable. It sounds eerie, exotic, faintly theatrical. Useful if you are selling postcards. Less useful if you are trying to understand what is actually happening on the street.
Because on the ground, it is not some gothic theme park in the Andes. It is a working market.
Around Calle Linares and nearby streets, stalls are packed with dried herbs, amulets, incense, figurines, and bottled remedies. Some goods are tied to local Aymara spiritual practices and offerings to Pachamama (Mother Earth). Others are aimed at tourists, neatly packaged and easy to carry home. The line between faith item and souvenir exists, but it is not always tidy. Markets rarely are.
Too much coverage frames the place as “mystical” and stops there, as if the market exists mainly to give outsiders an unusual afternoon. It misses the more obvious story. People are buying things here for reasons that matter to them: luck, protection, health, work, household rituals, belief. In other words, the same reasons people shop anywhere, just with different objects and a different worldview.
Then there are the dried llama foetuses.
They hang in plain sight and tend to reset the mood for anyone who arrived expecting fridge magnets and alpaca socks. For many outsiders, they become proof that the market is strange. But that reaction, while understandable, explains very little. In Bolivia, they are traditionally used in ritual offerings, sometimes linked to protection and blessing, including beneath the foundations of homes or businesses.

You can find the sight jarring and still recognise that “this shocks me” is not analysis. What unsettles many visitors is not only the object itself, but the fact that it belongs to a living system of belief. Not museum folklore. Not a tour performance. Something active, used, and part of daily economic life. That is harder to package neatly, which is exactly why it matters.
Many times, during conversations with older sellers hunched over their counters, the exchange dropped the tourist script and got practical. Small conversations, repeated often. ¿Para qué sirve? What is it for? Para la suerte, para el trabajo, para la salud. For luck, for work, for health.
Those exchanges explained the market better than any dramatic description could. They were direct and useful; completely untheatrical. Less “ancient mystery”, more shop-floor logic. Which, frankly, is often where the real story is.
The better way to read the Witches’ Market is not as a spectacle of superstition, but as a place where belief and commerce meet in plain view. It shows how traditions survive in cities, not by sitting untouched in glass cases, but by being bought, sold, adapted, and used.
That is a stronger story than “spooky market”. It is also more honest.
La Paz rewards that kind of reading. It is a city that looks dramatic from the first minute, so people often stop at the surface. The Witches’ Market is what you get when you keep looking. Photogenic, yes, but more importantly functional. A market with customers, logic, and a worldview of its own.
Less convenient for lazy travel copy. Better journalism.
Photography: All photographs accompanying this piece were taken by Dawud during the trip described.



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